Category Archives: Non classé

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CFP – Musical Diplomacy and Art Creation in Wartime Ukraine (2014-2024)

Musical Diplomacy and Art Creation in Wartime Ukraine (2014-2024)

An international symposium organized in the frame of the Tandem CNRS-Charles University program at CEFRES by CEFRES, the Institute for musicological research (CNRS-Sorbonne Université), and the Ukraine in a Changing Europe research center at Charles University (IMS FSV UK).

Date: November 27, 2024
Location: CEFRES, Na Florenci 3, Prague 1 (and online)
Deadline for application submissions: July 20, 2024
Selection of papers: August 15, 2024
Language of the symposium: English

Music has always been connected to diplomacy, not necessarily as an auxiliary instrument. Beyond purely aesthetical functions, it has manifold social and political effects. They expand across national and regional borders often transforming the overall image of the country of origin on the global stage. That turns music into a vehicle for cultural diplomacy, at times more efficient in achieving particular objectives, especially when conventional diplomatic means fail (Prévost-Thomas & Ramel 2018; Ahrendt, Ferraguto & Mahiet 2014; Mikkonen & Suutari 2016). Resonant international competitions, like the Eurovision Song Contest, have been rendered major displays of the current geopolitical constellation (Vuletic 2018). States around the globe allocate significant resources to maintaining their cultural institutions abroad, where music, alongside other artistic domains, generates and perpetuates their soft power, which is the power to attract and stimulate to emulate (Nye 2005). The rise in importance of non-state actors in international relations (Cerny 2023) produced a shift towards grassroots initiatives and horizontal networks, where cultural diplomacy is increasingly carried out – both spontaneously and strategically – by actors, not affiliated with state institutions. The notion of musical diplomacy captures all these facets (Gienow-Hecht 2015; Morgan O’Connell, El-Shawan & Castelo-Branco 2010). Placed at the intersection of cultural production and international relations, it taps into this phenomenon where creative and instrumental thinking, spontaneity and purposefulness, official and grassroots streams intertwine and merge.

An overlap between musical production and political resistance has always been indicative of the Ukrainian public scene: from the musical underground in late Soviet times to the iconic songs codifying the core meanings behind the mass protests (Sonevytsky 2019). By co-imagining future-oriented sovereign imaginaries in unison and making them audible, people manifested themselves as sovereign citizens. They created affective ties among themselves and with external observers who sympathize with their cause. Importantly, by the same token, they prefigured and brought about a new political reality. Russia’s full-scale invasion in February 2022 brought new salience to Ukraine’s cultural diplomacy and musical production (Ruble 2023; Sonevytsky 2023). The academic literature exposes the power of music to mobilize a community and provide moral legitimacy at times of war but also how art can be used as a resource for resistance, recovery, and peace-building processes. From the postcolonial perspective, which is one of the conceptual anchors of the symposium, Ukraine’s musical diplomacy elevates the polity’s geocultural status through a chain of subversive acts and strategies that help escape a subaltern position of the double periphery in the former blind spot between the EU and Russia.

The symposium is fundamentally transdisciplinary: it develops at the intersection of musicology, political theory, and cultural anthropology, with a specific focus on postcolonial studies and contentious politics. We welcome theoretical contributions as well as focused case studies presenting research on topics related to musical diplomacy in wartime Ukraine, including, but not limited to, the following:

  • Musical diplomacy as a theoretical concept, its potential and limitations
  • Factors defining the efficiency of musical diplomacy: agencies, strategies, and contexts
  • The dialectics of form and content in musical performance and its perception
  • Complex entanglements between musical production and (geo)political developments: reactivity and prefiguration
  • State-supported musical initiatives vs grassroots activities and transnational horizontal networks
  • Various musical genres and communities engaged in Ukraine’s musical diplomacy
  • Case studies: songs, musical bands, events
  • Re-discovering Ukraine through its music: external perceptions and receptions
  • Entanglements between the postcolonial/subaltern studies and musicology
  • Decolonization of musicology and global art community: a fading trend or a pending task?

The symposium will take place on November 27, 2024 at CEFRES in Prague.

Please send abstracts (approx. 300 words) for 20-minute papers and a short biographical note (100-150 words) to the organizers of the conference, Valeria Korablyova (Charles University) at valeriya.korablyova@fsv.cuni.cz and Louisa Martin-Chevalier (Sorbonne University) at louisa.martin-chevalier@sorbonne-universite.fr. The event will result in the publication of a special issue. Draft papers are expected to be prepared and discussed at the symposium. The official language of the workshop and its published proceedings is English.

The submission deadline is July 20, 2024. Applicants will be notified about the acceptance of their proposals by August 15, 2024. Some travel grants will be available. Please include in your application a request if you require financial support from the organizers.

Organizing Committee

Valeria Korablyova (Charles University, Institute of International Studies / CEFRES)

Louisa Martin-Chevalier (IReMus, Sorbonne Université / CEFRES)

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Thomas Chopard – Research & CV

Visual Representations, Memorials and Commemorations of the Second World War in Central Europe

Research Area 3 – Objects, Traces, Mapping: Everyday Experience of Spaces

Contact: thomas.chopard[@]ehess.fr

Thomas Chopard is a historian and assistant professor at the École des Hautes Études en Sciences Sociales, at the Centre of Historical Research (EHESS/CRH). His research focuses on the history of anti-Jewish persecution and Jewish migration in Central and Eastern Europe. His early work focused on the pogroms and anti-Jewish violence in Ukraine during the revolutionary period, before contributing to the ERC project Lubartworld retracing the trajectories of the Jews of the Polish town of Lubartów. His current research is at the intersection of the study of forced displacement suffered by Jews during the Second World War and the history of Stalinist repression.

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Gábor Egry – Research & CV

Contact : egrygabor@phistory.hu

An invisible empire? Austro-Hungarian economic space in Central and Southeastern Europe 1890-1930: actors, structures, embeddedness, factors of resilience

Historian, Phd, DSc, chief director. He has published four books and two edited volumes, most recently Etnicitás, identitás, politika. Magyar kisebbségek nacionalizmus és regionalizmus között Romániában és Csehszlovákiában 1918-1944 [Ethnicity, identity, politics. Hungarian minoirties between nationalism and regionalism in Romania and Czechoslovakia 1918-1944] (Napvilág, Budapest, 2015), and numerous articles in specialist journals (incl. SlavicReview and EastCentral Europe), volumes and media outlets on topics of history and politics of identity. He was visiting lecturer at the University of Miskolc, at Stradins University, Riga and at ELTE Budapest, „Europa” Fellow of the New Europe College – Institue for Advanced Studies, Bucharest, visiting fellow at the Imre Kertész Kolleg, Jena and at IOS Regnesburg, Fulbright visiting reserach scholar at Stanford University, Center for Russian, East European and Eurasian Studies. Continue reading Gábor Egry – Research & CV →

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Études du CEFRES

Les Études du CEFRES (CEFRES Studies) help spreading the work of the French Research Centre in Humanities and Social Sciences (CEFRES). Above all, they enable CEFRES’s Fellows and Young Researchers to publish their work in progress or to address current events.

— Miklos Székely :
Contemporary Art Museums in Central Europe. Between International Discourse and National (Re)building Strategies, Étude du CEFRES n° 17, 2014, 34 p.

— Viera Knutelská :
The Czech Coordination System of European Affairs and Its Inclusiveness, Étude du CEFRES n° 16, 2013, 25 p.

— A partir de l’Europe centrale, analyser un monde qui change. Textes issus du colloque organisé à l’occasion du 20e anniversaire du Centre français de recherche en sciences sociales, Étude du CEFRES n° 15, 2012, 58 p.

— Éloïse Adde (dir.) :
Aux sources de l’idée d’union européenne. Étude du CEFRES n° 14, 2009, 54 p.

— EU 27 : How to cope with the new challenges of agriculture and rural development ?, Étude du CEFRES n° 13e, 2008.

— Comment affronter à vingt-sept les nouveaux défis de l’agriculture et du développement rural ?, Étude du CEFRES n° 13, 2008, 25 p.

— Gérard Lenclud :
Claude Lévi-Strauss aujourd’hui, Étude du CEFRES n° 12, 2008, 26 p.

— Igor Tchoukarine (dir.) :
Entre mythe et réalité : les relations culturelles et politiques entre les Tchèques et les Slaves du sud de l’ex-Yougoslavie aux 19e et 20e siècles, Étude du CEFRES n° 11, 2008, 82 p.

— Jana Kopřivová, Vincent Moreau, Philippe Rusin :
Les collectivités territoriales en République tchèque : compétences, fonctionnement et finances locales. Éléments de comparaison avec la France, Étude du CEFRES n° 10, 2007, 38 p.

— Philippe Rusin :
Pologne ’libérale’ versus Pologne ’solidaire’ – Les deux facettes de la transition vers l’économie de marché, Étude du CEFRES n° 9, 2007, 27 p.

— Gérard Lenclud :
Pour comprendre une culture, faudrait-il adopter son point de vue ?, n° 8, 2006, 18 p.

— Annabelle Coustaury :
L´ODS et l’Europe, Étude du CEFRES n° 7, 35 p.

— Tereza Hyánková,
L’immigration des Kabyles d’Algérie en République tchèque, Étude du CEFRES n° 6, 2005.

— Bertrand Badie,
Raymond Aron, penseur des relations internationales. Un penseur « à la française » ?, Étude du CEFRES n° 5, 2005.

— Olivier Plumandon,
Organisations patronales et tripartisme en République tchèque, Étude du CEFRES n° 4, 2005,

— Proměny „sladké Francie“. Otázky francouzských dějin 30. a 40. let 20. století, Étude du CEFRES n° 3, 2004.

— Carole Pommois :
La consommation à Prague : impacts sur l’espace urbain, Étude du CEFRES n° 2, 2004.

— Cyrille Billaud et François Richard :
Les élections européennes de juin 2004 en Pologne, République tchèque et Slovaquie, Étude du CEFRES n° 1, 2004.

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Attack at FF UK | CEFRES Declaration

Dear colleagues and friends of CEFRES,

Yesterday, a horrific attack took place at Charles University’s Faculty of Arts. At least 14 people were killed and dozens injured. The entire university community is deeply traumatized.

We wish to express our deepest condolences to the families and loved ones of the victims.

Our closest partners, historians, literary scholars, musicologists, philosophers and other representatives of the humanities and social sciences have been targeted. We have always worked together within the CEFRES platform, the 4EU+ university alliance and the Prague research community. We have always been a family.

Our hearts go out to you and to your loved ones, dear colleagues, dear partners, dear friends.

On behalf of the entire CEFRES team, our deepest thoughts, our unwavering solidarity, and our heartfelt and unconditional support.
Mateusz Chmurski

***

All the successive directors of CEFRES, deeply shocked by the shooting at Charles University’s Faculty of Arts, associate themselves with the letter from the current director.

They express their support for the Rector, the Rectorate of Charles University, all its members, the Dean of the Faculty of Philosophy and the entire university community.

They stand in solidarity with the university’s teaching staff in their profound trauma. They wish to express their condolences to all the families affected by this tragedy.

Marie-Elizabeth Ducreux
Françoise Mayer
Antoine Marès
Georges Mink
Christian Lequesne
Marie-Claude Maurel
Clara Royer
Jérôme Heurtaux

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Aysha Farhana Chakkampully – Research & CV

“Doctoral project: Embodiment in Islam: the everyday menstrual experiences of Hyderabadi Muslim Women in India.”
Research area: 1 & 2
Contact : 30486391@fsv.cuni.cz

My doctoral dissertation project explores the intricate relationship between menstruation, religion, societal norms, and the consequences of religious adherence and transgressions in menstrual management among married Muslim women in Hyderabad City, South India. It focuses on menstruation as a practice-oriented phenomenon to understand the gendered behavioral attributes within communities.

This research aligns with Area 2 of CEFRES, which examines norms and transgressions, as it delves into the role of menstruation as a normative functional system regulated by religion. Menstruation is viewed as a complex societal system with imaginary boundaries that shape individual actions and carry profound consequences. The study aims to shed light on the multifaceted aspects of menstruation and its regulation by studying actions and outcomes, including techniques adopted to conform to or resist societal expectations.

 

This innovative approach challenges traditional perspectives on menstruation, moving away from viewing it as a mere individual management issue or an object of exotic fascination. Instead, it focuses on the subjective experience of menstruators and how menstruation shapes their emotional and spatial identities, tracing the intergenerational transfer of menstrual knowledge. By intertwining the research area’s emphasis on transgressions and the societal functions they embody (Area 2) with the exploration of displacements and imagined boundaries (Area 1), the study aims to uncover the profound influence of menstruation on both individuals and the societies they inhabit. This contributes to a broader understanding of menstruation beyond Western frameworks and Orientalist stereotypes, shifting the discourse from shame and taboo to viewing menstruation as a phenomenon involving actors, actions, and consequences.

CV

Education

2020-present: Ph.D. in Sociology, supervised by PhDr. Mgr. Jaroslava Hasmanová Marhánková, Ph.D. (ISS, FSV, UK).

2017-2019: Master in Sociology, University of Hyderabad, India.

2014-2017: Bachelor in Sociology, Farook College, University of Calicut, India.

Research Projects & Grants

2022-2024 (Principal Investigator): “Changing social meanings of menstruatio

n – the role of taboos, rituals, and agency and the experience of Indian women,” Grants Agency of Charles University (GAUK), Czech Republic.

Teaching

2019-2021: Teaching intern at Blossom Public School, Tamil Nadu, India.

Recent Publications

Book review: “A Reflection on the Interventionist Approach to Menstrual Manag

ement in the Global South,” Gender and Research Journal, 22(2), 185-190.

  • 2020: “Menstrual hygiene and the flood apocalypse: gender and disaster management,” Amal College, India.
  • 2019: “Feminization of agriculture; plausible implications in sustainable farming,” Kerala Sociological Society, Kottayam, India.
  • 2019: “Digitalization, modernity, and inclusiveness: the case of special needs students in smart classrooms, a study at the University of Hyderabad,” New Government Degree College, Telangana, India.
  • 2015: “Challenges of people’s participation in local governance; experiences from Feroke Panchayath,” Kerala Sociological Society, Trivandrum, Kerala, India.