Delegitimization as Social Phenomenon

International Conference 

Location: Warsaw
Date: 24th and 25th of May 2019
Organizers: Institute of Philosophy, French Civilisation Center, Warsaw University
Partners: CEFRES
Language: English

Check the program here.

Delegitimization as Social Phenomenon

An event, consequently, is not a decision, a treaty, a reign, or a battle, but the reversal of a relationship of forces, the usurpation of power, the appropriation of a vocabulary turned against those who had once used it, a feeble domination that posits itself as it grows lax, the entry of the “masked other”. Michel Foucault, Nietzsche, Genealogy, History

It is quite striking that Foucault’s definition of historical event bears all the characteristics of delegitimization i.e., the loss of authority or an abrupt refusal of recognition. This is no coincidence. Delegitimization is a historical event because it appears as the precondition for the possibility of any novelty in the social world. It is the negative moment preceding any positivity. Delegitimization precedes the change and generates it. The weapons held by the authority are turned against it, the sacred is turned into profane, the glorious into infamous, what is weak becomes strong, and the ignominious takes place in the sun. The figure of delegitimization is indeed one of the most powerful in the modern social imaginary – it arguably represents a heroic moment of progress.

The edifice of the Enlightenment was built through all series of delegitimizations: the delegitimization of Aristotelian teleology paved the way for modern science; the delegitimization of revelation brought the freedom of thought and of speech; the delegitimization of monarchy produced democracy; the delegitimization of privilege – equality before law. Delegitimization pairs up with either collective or individual emancipation. Moreover, in modern societies, delegitimization becomes an institutionalised game. Inscribed within scientific, artistic and political fields it ensures their internally competitive nature. We confront here an apparent paradox where the very legitimacy of any distinction or advantage depends on the possibility of delegitimization standing at bay. Yet, this seems to be a virtuous paradox. If we recognise that every legitimacy, even if to a different degree, carries some fair amount of the arbitrary usurpation and violence, it plainly deserves to be exposed to a reversal of fate.

And yet delegitimization as social practise is far from being an innocent endeavour. It hardly meets any normative expectations. It rarely passes only through a fair critique, it produces strawmen, misinterpretations or puts things out of proportion. The enterprise of delegitimization favours the performative efficiency over the power of argument; the feeling over the reason. It has aversion to nuance. As some prominent contemporary thinkers point out, it proceeds by fabricating empty signifiers filled with imaginary equivocations. Not only does delegitimization distorts its objects, it also constantly manipulates, displaces or conceals the subject of the whole making. The subject of delegitimization is often, if not always, ‘a masked other’ as denunciator rarely speaks undisguised and in his own name; he is rather a Porte-parole for entity of his own making. The art of delegitimating is indeed the backbone of populism. And so the ‘masked other’ appears elsewhere and in different form, when delegitimating turns no longer against holders of power and prestige but against those who lack them dramatically. Withdrawal of recognition targets mostly the ones who lack recognition, by means of stigmatisation, vilification, objectification and dehumanisation. Delegitimization is therefore inherent in every pogrom or genocide.

The goal of our seminar is an interdisciplinary exchange aiming at understanding contemporary crises of legitimation. We hope to achieve this by taking the broadest possible scope in space, time and method.

Defeated Memories – Launch of the Tandem Project

Launch of the TANDEM Project led by

Michèle Baussant (CNRS/CEFRES),
Johana Wyss (Czech Academy of Sciences)
Maria Kokkinou (CEFRES / Charles University)

Defeated Memories. De-imperial Europe: A Resentful Confederation of Vanquished Peoples?

When: Friday 20th November, 9 am – 11 am
Where: Online
Please, access the zoom conference by following this link: https://us02web.zoom.us/j/81054592971?pwd=UkJjZW90T0lDK0MwNm5PZit2S2U3QT09
Language: English

With the participation of:
Sylvie Démurger, Deputy Scientific Director, Europe and International Affairs (CNRS)
Jérôme Heurtaux, Director of CEFRES
Tat̕ána Petrasová, member of the Academy Council and coordinator of Czech Academy of Sciences  for the TANDEM program

Discussants:
Catherine Perron, Research Fellow, CERI, Sciences Po Paris
Valérie Rosoux, Director of Research-Professor, Université Catholique de Louvain
Thomas Van de Putte, Postdoctoral Fellow, Department of Sociology, University of Trento

Abstract:

This online launch of the new Tandem project is dedicated to the ghostly, material and symbolic memorial landscapes of defeated minorities, who have been displaced and dispersed after the successive collapse of imperial and multinational entities during the 20th century. The aim of the project is to offer a new critical perspective on the multiple, persistent, and sometimes connected forms of European (post)imperial pasts along the old extra- and intra-European borders and on their diverse and entangled uses. 

The project is based on a choice of different cases – Germans expelled from East Prussia and Silesia, Europeans of Algeria, “foreign” or “local” minorities of Egypt, Portuguese of Angola and Mozambique-, and deeply rooted in ethnographic fieldwork. It will cross the memories of the displaced peoples, and of those who have repopulated or continued to live in the physical spaces after them, in an unprecedented way, offering mirror images or images that are shifted, distorted or blind. 

Initiated by Michèle Baussant, anthropologist and research director at CNRS, this Tandem project is also carried out, on the Czech side, by Johana Wyss, anthropologist and researcher at the Czech Academy of Sciences. Maria Kokkinou, anthropologist and postdoctoral fellow at CEFRES and Charles University is a member of the Tandem team as well. 

Debating the Norms of Scientific Writing

International Interdisciplinary Workshop for Young Researchers

OrganizerJulien Wacquez (EHESS, CESPRA, CEFRES)
Partners: CEFRES, Institute of Philosophy of the Czech Academy of Sciences, EHESS (Paris)
When & Where: 23rd of May 2018, FLÚ AV ČR, conference room (Jilská 1, Prague 1 110 00)
Language: English

See the call for papers here

See the abstracts of the lectures here: Abstracts.

Since their foundation, social sciences have been questioning the practice of scientific writing as well as its limits and effects. To what extent does writing in itself affect the production of knowledge? How are the norms of scientific writing constantly negotiated? How are scientific texts convincing their readership?

Professors and young researchers are invited, not only to explore such questions, but also to share their own experiences as scientific writers. What kinds of problems do we face when striving to transform our investigations into a text? What kinds of narrative and rhetoric strategies do we implement in order to tackle such problems?

Because writing scientific texts is both a lonely and a collective activity, this workshop aims to develop a better understanding of the writing choices that we can make (between following or transgressing the “accepted” norms of writing of our discipline). 

Program

9:30-10:00 – Welcome

10:00-10:30 – Introduction

Jan Balon (FLÚ AV ČR)

10:30-12:00
Panel 1. (re)Producing new norms of writing
  • Julien Wacquez (EHESS-CESPRA & CEFRES)
    The Ways of Science Fiction in the Study of the Anthropocene
  • Annibal Arregui (CEFRES-FSV UK)
    Straw-Men of Science: “Hologrammatic” Dichotomies as Academic Sparring

Chair: Jan Balon (FLÚ AV ČR)

Lunch break

13:30-15:30
Panel 2. Writing Science and/or Writing Politics

  • John Holmwood (University of Nottingham)
    Writing for Justice. When Other Lives Are at Stake
  • Jitka Wirthová (ISS FSV UK)
    How to Write the Proof: Creating Expertise in Strategic Documents for Educational Reform
  • Abdul Qadar (EHESS-LAS)
    Writing as a Punjabi Native Anthropologist: Understanding the Relationship between Ethnographic Text, Self of an Anthropologist and Representation

Break

16:00-18:00
Panel 3. The Social Scientist as a Writer

  • Jean-Louis Fabiani (EHESS & CEU)
    The Impossible Novelist: Portrait of the Sociologist as a Frustrated Writer
  • Fanny Charrasse (EHESS-LIER)
    Literary but Not Fictional
  • Edouard Chalamet-Denis (EHESS-CESPRA)
    Via Hayden White: Questionning Narrative and Opening Possibles in the Writing of History

Illustration: Edgar Degas, Portrait of Edmond Duranty (1879)

Czechoslovak-Portuguese Relations in 1960-1980

In the frame of IMS and CEFRES’s common seminar “Between Disciplines and Areas”, Barbora Mencová (FSV UK) will present her work on Czechoslovak-Portuguese relations in 1960-1980.

Where: CEFRES library, Na Florenci 3.

Language: English.

 

Czech-French Historical Seminar: Estelle Doudet

Where: CEFRES, Na Florenci 3.

Organizers: FF UK and CEFRES.

Theatre and Political Communication in the Middle Ages

Focusing on theatre in French, this paper investigates the turn of 15th and 16th century, when theater and print developed hand in hand. Is a “political theater” being then shaped? What circumstances, which authors and actors, play genres, and audiences could such a political communication involve, and with which efficiency?

The Author and its Signature in French, from Chrétien de Troyes to the Renaissance

Signature is considered today as a key-element of the “function author” as defined by Michel Foucault. The recurrent anonymity of Medieval literature led to believe in the lack of signature, and therefore of authors. Yes, from the 12th to the 16th centuries, French-writing authors reflected on signature, on its forms and functions. Signature revealed the status of the author—whether gentle or intellectual, whether man or woman. It defined the genres in which it came up, such as the novel, poetry and autobiography. It shaped the relationship between the writer and the reader.

A former fellow of Ecole normale supérieure, Pr. Estelle Doudet teaches medieval language and literatyre at the University of Grenoble Alpes. She is a member of the Institut universitaire de France. Her works focus on the archeology of media and public communication in French, among which on eloquence and performing arts in the 15th and 16th centuries.
Within the research unit Litt&Arts, she is in charge of the research group on “comparative media studies” and heads the research area on Arts, Literatures, Languages, Human, Cognitive and Social Sciences of Grenoble University.

Among her publications:

  • Recueil général de moralités d’expression française, vol. 1, E. Doudet (ed.), Paris, Garnier, 2012.
  • Chrétien de Troyes, Paris, Tallandier, 2009.
  • Un cristal mucié en un coffre. Poétique de George Chastelain, Paris, Champion, « Bibliothèque du XVe siècle », no. 67,  2005.
  • Jean Molinet et son temps, E. Lecuppre-Desjardin, J. Devaux and E. Doudet (eds.), Turnhout, Brepols, 2013.
  • 58 published articles publiés – check her profile on Academia.edu.

Czech-French Historical Seminar: Élisabeth Gaucher-Rémond

Where: FF UK, nám. Jana Palacha 2, room 201

Organizers: FF UK & CEFRES

Investigating legendary figures who became famous for their tribulations with the devil, these two lectures aim at reflecting upon the part played by alterity in the construction of the subject. They present an opposition between one who endeavors to tear the soul from Satan’s grip, and one who enjoys playing with one’s demon in the hope of knowing fear. Notwithstanding a few escapes in post-medieval rewritings, the various cultural heritages which such legends carry shall be reappraised so to explore the evolution of the beliefs to which they pertain: from a terroristic devil to a powerless demon.

Robert the Devil or Turning Down Diabolical Heredity

After a brief account on the historical, mythical and literary influences at the background of this 13th century narrative, the presentation will focus on the access conditions to sainthood through this story of a child born from the devil. Special emphasis will be devoted to its intertextual traces with other contemporary narratives of conversion.

Richard the Fearless or Playing with the Devil

Persecuted by a demon that drags him in its nightlife adventures, this 15th century hero and the alleged son of Robert the Devil’s main feature is a boldness akin to indifference to the metaphysical stakes of his supernatural encounter. What is the meaning of such fearlessness at the end of the Middle Ages as shown by the literary parody as well as by the moral exemplum?

A former fellow of École normale supérieure (Paris), Pr. Élisabeth Gaucher-Rémond teached French medieval language and literature at the Nantes University. After completing her PhD on knightly biographies from the 13th to the 15th century (Champion, 1994), she kept on exploring the interferences between reality and imagination in historical-legendary narratives (Robert le Diable, Richard sans Peur) and the representation of the individual (within the interdisciplinary research program MEDIEVARS). She’s currently writing an essai on Autobiographical Forms in Medieval Literature and a new edition of Richard sans Peur.

Latest Publications

  • La Biographie chevaleresque. Typologie d’un genre (XIIIe-XVe s.), Paris, Champion, 1994 (Nouvelle Bibliothèque du Moyen Âge, 29).
  • Robert le Diable. Histoire d’une légende, Paris, Champion, 2003 (Essais sur le Moyen Âge, 29).
  • Robert le Diable, édition bilingue. Publication, traduction, présentation et notes, Paris, Champion, 2006 (Champion Classiques / Moyen Âge, 17).
  • Richard sans Peur, duc de Normandie : entre histoire et légende. Actes du colloque organisé au Havre par Laurence Mathey-Maille et Élisabeth Gaucher-Rémond, 29-30 March 2012. Annales de Normandie, no. 1, Jan.-Jun. 2014.
  • « Saint Julien l’Hospitalier et Robert le Diable », Hagiographie, Imaginaire, Littérature(Mélanges offerts à Jean-Pierre Perrot),  Université de Savoie, coll. « Écriture et représentation », n°28, 2015, p.127-143.
  • « Tentation de la chair, séduction de l’esprit : Richard sans Peur et le modèle érémitique », Chaire, chair et bonne Chère (Hommage à Paul Bretel), Perpignan, Presses Universitaires de Perpignan, 2014, pp. 21-34.
  • « Robert le diable ou le ‘criminel repentant’ : la légende au miroir des récits de conversion », La légende de Robert le Diable du Moyen Âge au XXe siècle, L.Mathey-Maille and H. Legros (eds.), Orléans, Paradigme, 2010, pp. 27-41.
  • « Les semblances du diable dans Richard sans Peur », Revue des langues romanes, CXIV, no. 2 (Le déguisement dans la littérature française du Moyen Âge, textes réunis par J. Dufournet et C.Lachet), 2010, pp. 391-413.
  • « Les recettes du diable : le pouvoir et l’argent dans Richard sans Peur», Le prince, l’argent, les hommes au Moyen Âge (Mélanges offerts à Jean Kerhervé), Presses Universitaires de Rennes, 2008, pp. 323-330.
  • « Tentations et mariage sataniques dans Richard sans Peur : le détournement des modèles allégoriques et féeriques », Cahiers de Recherches Médiévales, no. 15 (La Tentation du parodique dans la littérature médiévale, études réunies par E. Gaucher), 2008, pp. 73-85.