Tag Archives: literature

CEFRES Team

Michaela Rumpíková – Research & CV

“Young Women in Transition: A Phenomenological Reading of First-Person Coming of Age Stories”

Contact : michaela.rumpikova@sorbonne-nouvelle.fr

Research Area 2 – Norms & Transgressions

My doctoral research proposes a phenomenological reading of contemporary French coming-of-age fiction centred around the figure of the young girl. By perceiving the young girl as a body in the state of becoming, I take up the concept of “becoming a woman” (Beauvoir, then Deleuze and Guattari) in order to extend it to a broader understanding of becoming as a directed process, that is, one influenced by gender, class, race, and sexuality norms. In 2001, Tiqqun wrote “Like so many of our unfortunate contemporaries, the Young Girl took Western metaphysics at the foot of its aporias”. Integrated into late capitalism, feminine subjectivity is formed through the norms of seduction, performance and consumption, and their internal contradictions. Nevertheless, it cannot be reduced to a simple embodiment of this ideology. Far from being a passive symptom, it also constitutes a reaction to the impasses of the system: it is a question of adapting to it, negotiating a space within it, and of becoming in a world which has already frozen into an artificial image of it. All while attempting to break free from the narrow confines of this representation, her story attempts to sketch the outlines of her own subjectivity.

In terms of methodology, I draw on the triad of orientations-objects-others (Sara Ahmed) to examine how formative trajectories are shaped by external forces that determine accessible and desirable directions and shape our relationship to the world, objects, and others. This allows me to rethink coming-of-age not as a linear or teleological route, but as an active movement, a form of navigation within a relational and dialogical field, where the body is affected without end, moved, and reconfigured in its way of being in the world. I thus reinterpret the Bildungsroman as a narrative journey, a dialectic movement of experience: a space of disadjustment, of friction, and sometimes even failure, understood not as an individual fault, but as a symptom of the norms which organise the social space.

This research draws on a corpus of coming-of-age fiction in the first person which I refer to as the ‘fourth generation’, characterised by social mobility, post-identity and the porosity of belonging (i.e. Nina Bourauoi, Faiza Guène, Wendy Delorme, Lolita Pille, Emmanuelle Richard, Blandine Rinkel, Fatima Daas). By examining the ways in which young girls negotiate their place in a world that guides them before they even have the opportunity to choose their own direction, I explore what becoming (a woman) means today, and what narrative forms and textual strategies enable us to express, reshape or invent this becoming.

CV

Education

  • 2022 – present: PhD. candidate jointly supervised by Charles University and Sorbonne Nouvelle University (programme: French and comparative literatures); Thesis: Young Women in Transition: A Phenomenological Reading of First-Person Coming of Age Stories, under the supervision of Eva Voldřichová Beránková and Alain Schaffner
  • 2019 – 2021: Master’s at the Faculty of Arts at Charles University (programme: French philology); Specialities: sexual identities and their representation in francophone literature, self-narrative, illness and auto-fiction; Dissertation: Hervé Guibert: the resurrection of the Author, under the supervision of Eva Voldřichová Beránková; Grade: excellent
  • 2015 – 2019: Bachelor’s at the Faculty of Education at Charles University (programme: French and English); Specialities: literary engagement, the literature of the Enlightenment and its emancipatory limits; Undergraduate dissertation: The emancipation of women in Les Liaisons dangereuses by Pierre Choderlos de Laclos, under the supervision of Milena Fučíková; Grade: excellent

Exchange programmes

  • (2024) Vassar College (Department of modern literature)
  • (2022 – 2023) École Normale Supérieure (Department of literatures and language)
  • (2020 – 2021) Sorbonne Nouvelle University (Department of languages and literatures)
  • (2017 – 2018) Institut Catholique de Paris (Department of literature and language)

Publications

  • „Holky s bouchačkou: Odysea revolučního násilí v podání Virginie Despentes“, in: A2, 2025.
  • „Angažovat se od stolu“, in: Re:vize, 2025.
  • « Le chronotope de devenir-queer dans Arcadie (2018) d’Emmanuelle Bayamack-Tam : le corps en Bildung », in : Silène, 2025. (publication to come)
  • « La vengeance au féminin : Civico et Burnier sous la tutelle de Despentes », collective volume under the supervision of Katarzyna Gadomska and Tomasz Kaczmarek, Lausanne : Peter Lang, 2024.
  • “Failing as a Literary Form of Queering”, collective volume codirected by Stefanie Mayer and Alex Lachkar, Vienna: Transcript, 2024.
  • « Floutage des frontières de genre : écrire le corps queer », collective volume under the supervision of Robert Karul and Andrea Turekova, Prague : Svet literatury 2024.
  • „Corporealita: tělo pod kapitálem“, in: Glosolalia, vol. 6, 2024.
  • „Co nenapíšu, to se nezavrší“, in: A2, 2024.
  • „Michel Houellebecq: islamofob a pornohvězda na poloviční úvazek“, in : Alarm, 2023.
  • « Hors centre et périphérie : La convergence littéraire dans l’univers de Vernon Subutex (2015 – 2017) de Virginie Despentes », in : Ostium, 2023.
  • „Marginalizace, patriarchát a emancipační boj u Virginie Despentes“, in : Alarm, 2023.
  • „Annie Ernaux: tělo a třídní boj”, in : Host, 2023.
  • „Marcel Proust a tajemství času”, in : Host, 2022.
  • „Emile Zola proti sociální slepotě“, in : H7O, 2022.

Conference(s), presentation(s), summer school(s)

  • (November 2025) International conference on the theme “Negotiating Safety. Literary and Cinematic Stagings of Tensions and Conflicts in Queer Spaces Since 1900” at the University of Vienna; Michaela RUMPIKOVA (2025), “Queers at the Family Table: Negotiating the Self and the Family Through Space”.
  • (September 2025) Interdisciplinary workshop on “Rethinking the Emotions from a Historical Perspective” organised by Charles University; Michaela RUMPIKOVA (2025), “Feelings of Class Shame in Contemporary Literature: Failing to Feel Right”.
  • (August 2025) Interdisciplinary summer school of the theme “Guerre-Conflit-Résilience” in Štěkeň, organised by par the Jan Hus Association; Michaela RUMPIKOVA (2025), « Refuser la résilience : le récit du mal-être comme échec à résister à la négativité ». (publication to come)
  • (June 2025) International conference on the theme “Esthétiques queer et enjeux sociaux : décentrement”, organised by Clermont Auvergne University; Michaela RUMPIKOVA (2025), « L’intimité éco-queer : « faire l’amour aux rochers, baiser les arbres ». (publication to come)
  • (May 2025) International conference on the theme “Colères féminines”, organised by the University of Amiens; Michaela RUMPIKOVA (2025), « On se lève et on se casse : le concept de la colère féministe chez Virginie Despentes et Wendy Delorme ». (publication to come)
  • (October 2024) International conference on the theme “Bildungsroman à l’épreuve des identités sexuelles” organised by Paris Nanterre University; Michaela RUMPIKOVA (2024), « Le chronotope de devenir-queer dans Arcadie (2018) d’Emmanuelle Bayamack-Tam : le corps en Bildung », 24th October, Paris.
  • (August 2024) Interdisciplinary summer school on the theme “Déchets et fragments” in Kosice (University of Kosice) organised by the Jan Hus Association; Michaela RUMPIKOVA (2024), « La poétique du fragment dans Le Corps lesbien de Monique Wittig », 5th July, Kosice.
  • (July 2024) Summer school in Poitiers (University of Poitiers), organised by OFFRES; Michaela RUMPIKOVA (2024), « Lecture phénoménologique queer de la jeune fille dans les récits de formation : devenir dans le monde », 5th July, Poitiers.
  • (April 2024) Presentation of a thesis chapter at Vassar College; Michaela RUMPIKOVA (2024), “The (Young) Girl as Contemporary Character: Becoming War Machine”, 22th April, New York.
  • (March 2024) Doctoral seminar on the theme “Écrire contre” organised by Sorbonne Nouvelle University; Michaela RUMPIKOVA (2024), “Virginie Despentes and Literary Queering”, International conference “Queer/Feminist Relations in Fiction”, 15th March, Paris (online).
  • (October 2023) International conference on the theme “Queer Feminist Relations in Fiction” at the University of Vienna; Michaela RUMPIKOVA (2023), “Virginie Despentes and Literary Queering”, International conference “Queer/Feminist Relations in Fiction”, 28th October, Vienna.
  • (August 2023) Interdisciplinary summer school on the theme “Le Flou” in Krahule organised by the Jan Hus Association.
CEFRES Team

Nina Papcunová – Research & CV

“Nature in Modernism”

Research Area 3 – Objects, Traces, Mapping: Everyday Experience of Spaces

Contact: nina.papcunova@savba.sk

Nina Papcunová is a doctoral student at the Institute of Slovak Literature of the Slovak Academy of Sciences in Bratislava. Her dissertation, entitled Nature in Modernism, contributes to CEFRES Research Area 3.

The main objective of the thesis is to explore the cultural function of nature in Slovak literature between 1890 and 1925, corresponding to the poetic line of naturalism-symbolism-modernism. The research also focuses on the environmental awareness of modernist literature and its response to contemporary changes in the relationship between humans and nature (industrialization, war). The psychological aspects of the representation of nature will be equally relevant to the research. Thematically, the research will focus on motifs of natural disasters and destructive human interventions in nature, with an emphasis on their literary representation, aesthetic and functional use, and overall signification. The research will work with prose and poetic texts from a defined period and will cover many authors in the aim of capturing as many different approaches to the aforementioned themes and motifs as possible.

The methodology of the research is based on the theories of ecocriticism and ecopoetics (écopoétique; writing about nature – écrire la nature) applied to the study of modernism. Both theories focus on representations of nature in literary texts. While ecocriticism focuses primarily on the presence of nature in literature, ecopoetics examines in depth the aesthetic forms and shapes in which nature is captured in literature. Modernism as a period is often associated with the development of urbanization and thus also with urban space. Although nature appears in Slovak modernist texts, its depictions have not yet received significant attention from experts. My research presents an innovative approach to the defined issue on two levels: the core of the research is the representation of nature in a literary period that has so far been characterized by an interest in the city, and the research will be based on the use of ecocriticism and ecopoetics, which have not yet been significantly applied in literary research in our geographical area.

CV

Education

2024 – present: PhD candidate; Thesis: Príroda v modernizme (Nature in Modernism; La nature dans le modernisme), Institute of Slovak Literature, Slovak Academy of Sciences (SAV), Bratislava

2019-2024: Master’s in Slovak and French language and culture with a specialisation in translation and interpretation, Comenius University, Bratislava

Additional education

2022-2024: Supplementary pedagogical studies focusing on teaching French – extension module, Comenius University in Bratislava

Recent publications

– Review in English of a publication by author Peter Adkins: The Modernist Anthropocene: Nonhuman Life and Planetary Change in James Joyce, Virginia Woolf and Djuna Barnes (2024), SLOVENSKÁ LITERATÚRA (in print)

– Recenzia pri príležitosti vydania publikácie od autorky Mgr. Silvia Rybárová, PhD.: Dejiny, pamäť a osobný príbeh v súčasnej francúzskej próze (2024), SLOVENSKÁ LITERATÚRA, zv. 72, 2025, č.3

Research Projects

Paper Bonds

Paper Bonds
Bookmaking for Kin, Friends and Self in Contemporary Europe and the Middle East

A project developed within AV ČR-CNRS Tandem Program supported by the Czech Academy of Sciences, CNRS and CEFRES

Project principal investigators:
Hélène Martinelli (ENS Lyon / CEFRES)  helene.martinelli@ens-lyon.fr
Giedrė Šabasevičiūtė (Oriental Institute, Czech Academy of Sciences): saba@orient.cas.cz

ANNOTATION Continue reading Paper Bonds →

Grand Entretien

Grand Entretien with Françoise Vergès

Decolonizing Feminism – Grand Entretien with Françoise Vergès

On the occasion of the publication in the Czech edition of Un féminisme décolonial (La Fabrique, 2019) by Karolinum, CEFRES, the French Institute in Prague and Charles University invite you to a Great Interview with the author Françoise Vergès.

When: Wednesday, 12/3 2025, 6 pm
Location: French Institute in Prague, Štěpánská 35, Prague 1, 5th floor
Language: French with simultaneous Czech interpretation
Moderator: Chiara Mengozzi (CEFRES / Faculty of Arts, Charles University)

Who cleans up the world? It is with this question that Françoise Vergès introduces a decolonial feminism, taking as her starting point the underpaid, underestimated work that women, the majority of them racialised, do every day, all over the world, to make a society work. This feminism sees itself as the only one with a true understanding of women’s rights. Françoise Vergès defends an anti-racist and anti-capitalist feminism. Continue reading Grand Entretien with Françoise Vergès →

CEFRES Team

Helga Mitterbauer – Research and CV

Néo-baroque in Central Europe: Literature, Theatre, Cinema, and Other Arts

Research area: 1

Helga Mitterbauer, full professor of German literature at the Université libre de Bruxelles, is joining CEFRES from January to March 2025 thanks to the ‘Visiting scholars’ international mobility support programme funded by the CNRS. Previously, she was a visiting professor at a number of universities, including the University of Alberta (2010-2015) and ELTE Budapest. She taught at the University of Graz (1993-2013) where she habilitated in 2008.

She was chair of the coordinating committee of the ICLA CHLEL book series (2022-2024; Amsterdam, Benjamins) and is currently co-editor of the book series Forum: Österreich (Frank & Timme, Berlin).

Her project Neo-baroque in Central Europe focuses on the revival of baroque stylistic elements in literature, theatre, film and other arts in Germany and Central Europe. The aim is to study the extent to which this historical perspective is still valid today. Part of the project is to investigate how historical changes in society and power politics are reflected in literature and art, which art forms are used in response or to what extent art and literature facilitate the accumulation of power (the emergence of private galleries and libraries).

link to the full list of publications here.

CEFRES Team

Eva Krásová – Research and CV

Eva Krásová teaches theory of literature at the Institute of Czech Literature and Comparative Studies at the Faculty of Arts, Charles University in Prague.

Her research focuses on the history of thinking about literature, especially in the 20th century, using historiographical methods such as text genetics and work with archival documents. She is interested in the relations between Czech and French linguists mainly Emile Benveniste, Antoine Meillet, Jan Mukařovský, Vilém Mathesius, Vladimír Skalička, etc.

In addition, she has long been a lecturer in world literature in creative writing programmes, first at the Josef Škvorecký Literary Academy, and from 2015 to the present at the Text and Screenplay Department of the Jaroslav Ježek Conservatory and College, where she has had the opportunity to meet young poets in their
formative stages.

Her most recent professional interest is the analysis of popular culture using the tools of classical narratology and pop culture tropology and the resulting reflections on the place of literature in the contemporary media situation.