Tag Archives: Modern Art

CEFRES Team

Vera Guseynova – Research & CV

“The International Exposure of Russian Art in 1957-1991: Social and Historical Analysis of Art Transfers and Circulations, the Case of Soviet Non Official Art””

Contact: vera.guseynova[@]ehess.fr

Research Areas 1 & 2

My doctoral research revolves around the international acknowledgment of a localized artistic movement, specifically focusing on unofficial Russian art from the latter half of the 20th century, which defied the Soviet doctrine of socialist realism. Through an analysis of its artistic and market valuation process, I explore four pivotal reception and dissemination hubs: French, German, Anglo-Saxon, and East European contexts. Leveraging a database of visual artists who challenged state-sanctioned norms of creativity in the USSR during the 1950s and the 1960s, my research work delves into the individual and collective trajectories of these artists. Moreover, it underscores the pivotal role played by a diverse cohort of actors, both domestic and foreign, whose interest in this art emerged during the early stages of the thaw period, actively contributing to its dissemination and legitimization. Continue reading Vera Guseynova – Research & CV →

CEFRES publication

Contemporary Art Museums in Central Europe. Between International Discourse and National (Re)building Strategies

etudes-17-cefresMiklós Syékely, Etudes du CEFRES, 2014, 37 p.

The paper investigates the collection-building strategies in the contemporary art museums of Central Europe. As its methodology, the study takes into consideration the collection-building principles and the way they are related to other activities of the institutions. It focuses on the role of the collection as an  ensemble of musealized objects. The paper also intends to raise questions on how such institutions contribute, through their collections, to the participation of the given country in international discourse on contemporaneity. As a consequence of this collection-based observation conception, contemporary art centers and museums without collections are excluded from the observations. The observation focuses on the factors of national and international narratives intersecting each other in the process of modern and contemporary art museum based national cultural policies.

Miklós Székely PhD works as a research fellow at the Institute of Art History, Research Centre for the Humanities, Hungarian Academy of Sciences, and as lecturer in the field of museum studies at the Pázmány Péter Catholic University, Faculty of Humanities. His fields of scholarly interest are nineteenth-century Hungarian art, the history of universal exhibitions, museum studies, contemporary museum architecture, cultural politics. He held a Postdoctoral Fellowship at CEFRES for the summer term (February 1st – July 31st, 2013).

Central Europe, contemporary art, museum, museum studies, political change, cultural policy, museum collection, acquisition policy, documentation, archives

Download : https://halshs.archives-ouvertes.fr/CEFRES/halshs-01019728v1