Ce colloque est organisé par l’Université centre-européenne (CEU) et le Centre français de recherche en sciences sociales – Prague (CEFRES).
Date : 2-3 octobre 2025
Lieu : Campus de CEU, Quellenstrasse 51, Vienne
Langue : anglais
Coordinatrices : Valeriya Korablyova, Louisa Martin-Chevalier & Seema Sridhar
Ce colloque se propose de rassembler divers points de vue sur les expressions créatives de la résistance des femmes à travers l’art et la diplomatie culturelle, en engageant des universitaires, des activistes et des artistes touchés par des conflits. L’événement cherche à recueillir les points de vue de diplomates; d’universitaires spécialisés dans divers domaines tels que les études féministes, les méthodes de recherche créative et la musicologie; d’activistes qui soutiennent et promeuvent les artistes en exil; et d’artistes touchées par des conflits qui vivent en Europe.
Les recherches en musicologie et en études de genre ont montré l’invisibilité structurelle des femmes dans le domaine musical – qu’elles soient interprètes, musiciennes, chefs d’orchestre, compositrices, artistes sonores ou, plus largement, productrices culturelles (McClary 1991 ; Citron 1993 ; Cook & Tsou 1994 ; Green 1997 ; Ravet 2011 ; Koskoff 2014 ; Dunbar 2021). Cependant, il existe encore un manque important de recherches sur les défis spécifiques auxquels sont confrontées les musiciennes migrantes et déplacées, qui sont souvent victimes d’une exclusion supplémentaire. Ces artistes se trouvent à la croisée des inégalités liées au genre et à la géopolitique, en particulier compte tenu des profondes disparités mondiales en matière de droits des femmes à pratiquer librement la musique, comme le montrent les différentes sphères géographiques et culturelles présentées dans ce colloque.
In contexts of war and forced displacement, this marginalisation tends to deepen, wars have a way of awakening stereotypes and gendered roles. Echoing this, recent UN reports confirm that armed conflict exacerbates gender-based inequalities and leads to increased violence against women. In this light, the symposium also seeks to interrogate how women artists — particularly those in exile or in conflict-affected societies — resist both the material violence of war and the symbolic violence of exclusion through their creative practices. Their acts of artistic expression become tools not only of survival and resilience, but of gendered agency and political presence.
Acknowledging the importance foregrounding the artistic journeys of women from conflict-affected regions who continue their fight against authoritarian regimes, violent patriarchy and religious extremism, armed aggression, the symposium would highlight their resilience, creativity, and underscore their crucial role in raising awareness about their cultural heritage which is at risk of being erased, and most importantly their contribution to re-shaping narratives. This is especially crucial in regions where women have been denied the opportunity to pursue arts, music, education, employment, and are being erased from public life.
The discussion would explore ways of enabling marginalised artists’ voices to be heard, amplified and acknowledged in the context of peacebuilding. The programme seeks to illuminate ways in which different forms of women’s artistic expressions have played a role in resisting political violence, challenging existing social norms, transforming gender relations, addressing inequalities, transcending divisions, and creating platforms for peacebuilding and diplomacy. The participants at the intersection of academia, art and activism, shall address how artists have been creating platforms for building bridges with the community that they want to engage with while living in exile, and how they embody non-violent resistance through their artistic pursuits. By foregrounding how women artists organise themselves and promote conflict transformation on various scales, and exercise agency through their work and everyday lives, the symposium be would be a strong political statement expressing solidarity with the struggles and accomplishments of women from conflict-affected regions. It seeks to open up vibrant space for discussion and deliberation on how to move forward with amplifying the voices of artistic resistance through cultural diplomacy.
Programme
Thursday, 2 October 2025
8:30 – 9:00 Registration
9.00 -10:00 Welcome to CEU & Opening Remarks
Michael Merlingen, Director, Doctoral School of Political Science, CEU
Mateusz Chmurski, Director, CEFRES, Prague
H.E Manizha Bhaktari, Afghan ambassador to Austria
Yurii Vitrenko, Permanent Representative of Ukraine to the International Organizations in Vienna
Rasa Ostrauskaite, EU Permanent Representative to the Organization for Security and Co-operation in Europe
10:00 – 11:30
Panel 1 – Music at the Interstices of Conflict, Identity and Resistance
Louisa Martin-Chevalier, Associate Professor, Sorbonne University
Valeriya Korablyova, Assistant Professor, Charles University
Razia Sultanova, Research Fellow, Cambridge Muslim College, UK
Moderators: CEU faculty/student
11:30 -12:00 Coffee Break
12:00 – 13:30
Panel 2 – Art at the Margins: Inequalities and Negotiated Spaces
Lydia Cole (online), Lecturer, University of Sussex
Guilia Pelilo, Professor, Diplomatische Akademie Wien
Ishraga Hamid, Writer and Human Rights Activist, Vienna
Moderators: CEU faculty/student
13.30 – 14.30 Lunch
14.30 – 16.00
Panel 3: Music, Minorities and Feminist Solidarity
Anja Brunner, Assistant Professor, University of Music and Performing Arts, Vienna
Hyacinthe Ravet, Professor, Sorbonne University, Paris
Ursula Hemetek, Professor, University of Music and Performing Arts, Vienna
Moderators: CEU faculty/student
16:00 – 16:15 Coffee Break
18.00-19:00 Dinner at Dschungel Theatre, Museumsplatz 1, 1070 Vienna (paid by participants)
19:00 – 20:30 Concert at Dschungel Theatre:
Ukrainian performers Alisa Kobzar and Anna Arkushyna
Performance by Fazila Zamer, Afghan Rubab player (subject to confirmation)
Friday, 3 October 2025
9:30 – 11:00
Panel 4: Art, Affect, and Resistance
Dana Mckelvey, CEU
Seema Sridhar, CEU
Sara Whyatt, Director of NGO, Freemuse, UK
Moderators: CEU faculty/student
11.00 – 11.30 Coffee Break
11.30- 13.00
Panel 5: Creative Methods: Case Studies and Ethical Challenges
Nilanjana Premaratna, Lecturer, Newcastle University
Diana Valencia Duarte, Lecturer, Aberystwyth University
Erzsebet Strausz, Assistant Professor, CEU
Moderator: CEU faculty/student
13:00 -14:00 Lunch
14:00 – 15:30
Panel 6: Intercultural Communication and Transformation
Zsuzsanna Arendas, Research Fellow, CEU, Vienna
Georgia Holmer, Peace and Security Specialist, The Hague, Netherlands
Sophie Raehme, CEU, Vienna
Discussant: CEU Faculty/student
15.30 – 16.00 Coffee Break
16.00 — 17.00 Walking Lab: Feminist History of Vienna
17.30.00 – 19.00 Performance by Afghan musicians, followed by Reception at Die Angewandte Atrium
Rojin Sharafi, Iranian sound artist
Afghan musician (performances subject to confirmation by funders)
@ Sonja Czeschka Pixabay