The conference is part of the project “Displacements: Gendered-based Violence, Women’s Writing and Creative Practices in Modern Central and Southeastern Europe” (4EU+ mini grant). Continue reading CFP – Facing Familiar Violence. A 4EU+ International Conference
This PhD Students Workshop is organized withing the cooperation agreement signed by EHESS, CEFRES, Charles University and the Czech Academy of Sciences.
Organizers and chairs of the workshop: Lucie Drechselova (CETOBAC, EHESS), Falk Bretschneider (Centre Georg Simmel, EHESS), Mateusz Chmurski (director of the CEFRES)
Time and place: 26 September 2023 – CEFRES, Na Florenci 3, Prague 1 (with a possibility of online participation)
Proposal deadline: 25 May 2023
Deadline for submission of the final papers: 15 August 2023
Language of the workshop: English
Limited budget is available to support accommodation and travel costs of selected participants.
Keynote by Olga Lomová, Charles University et Tomáš Weiss, Charles University.
Eligibility: PhD students (and advanced Master’s students) in humanities and social sciences affiliated with CEFRES, EHESS, any university in the Czech Republic or based in Central and Eastern Europe understood broadly are invited to apply. Continue reading CFP – Dynamics of Political Participation. A PhD CEFRES–EHESS workshop
Researchers working on Beckett or on theatre in Central Europe are invited to meet in April at the CEFRES and at Charles University. The aim will be to examine the political and aesthetic, and sometimes legal and social, issues that certain dramatic texts may embody, taking Beckett’s theatre as a case study.
Date: Thursday 20th and Friday 21st April 2023
Location: CEFRES library and Charles University
Organizers: CEFRES in partnership with Sorbonne University, Paris, Bordeaux University and Charles University
Language: English
Convenors: Alice Clabaut, Charles Guillorit
Deadline for sending propositions: 31st January 2023
Abstract
From the 1950s onwards, Samuel Beckett’s theater has been a fixture on all international stages. Plays such as Waiting for Godot, Endgame, and Happy Days have become canonical, and both Beckett’s texts and their influence can be found in most theaters. While Beckett was considered “absurd” in his early days, on the fringes of traditional theater and a self-confessed avant-gardist, he is now viewed as a repertoire playwright. Behind the Iron Curtain, however, Beckett was a persona non-grata, sometimes heavily censored, in most of the countries until very recently This political censorship — the extent of which depended on the country — slowed down the arrival of Beckett’s works and the delay undoubtedly had some impact on the reception of his theatre. To what extent was the arrival of Samuel Beckett’s work prevented, concealed and delayed in the former communist countries of Central Europe? To what extent can it still be perceived and understood in staging and in readings of his plays? Continue reading CFP – Samuel Beckett in Central Europe
Call for papers: Conference Proustian Perspectives
Date and location: March 22–24, 2023, Prague and online
Organizers: Charles University, Faculty of Arts, Department of Czech Literature and Comparative Studies & Department of Romance Studies; with the collaboration of CEFRES
Deadline for proposals: November 15, 2022
Languages: French and English
Although well explored, Marcel Proust’s literary work is a territory that never ceases to reveal unknown corners. Whether the subject of interest is the author’s masterpiece or his other literary attempts, or even his unpublished writings, research continues to bring out new discoveries. The century that has passed since the author’s death has been marked by efforts to understand his work, or at least to multiply its readings with different interpretative languages. Continue reading CFP – Proustian Perspectives
Organizers: Mateusz Chmurski, Clara Royer, Lola Sinoimeri
Time and Place: March 16-18, 2023 – CEFRES (CNRS-MEAE), Prague
Proposal Deadline: October 15, 2022
Languages of the conference: French, English
Scientific Committee:
Anna Borgos (Magyar Tudományos Akadémia), Libuše Heczková
(Univerzita Karlova), Luba Jurgenson (Sorbonne Université), Iwona Kurz (Uniwersytet Warszawski), Jasmina Lukić (Central European University), Markéta Theinhardt (Sorbonne Université)
Partners: EUR’ORBEM (CNRS-Sorbonne Université) – CEFRES (CNRS-MEAE) – Ústav české literatury a komparatistiky, Filosofická fakulta, Univerzita Karlova – Instytut Kultury Polskiej, Wydział Polonistyki, Uniwersytet Warszawski
When: 4 – 5 November 2022
Where: Prague, Czech Republic
Deadline for submission: 9 September 2022
Convenors:
Astrid Greve Kristensen (Sorbonne University)
Rose Smith (Charles University & University of Groningen),
Emina Zoletic (University of Warsaw)
A Workshop organized by 4EUPlus with the collaboration of CEFRES.
We kindly invite Ph.D. students in the field of Humanities and Social Sciences to apply for our one-day workshop ‘TRUTH AND UNTRUTH. TRANSMISSIONS OF MEMORIES OF WAR’. With memory studies as the theoretical focus of this workshop, we will host a varied interdisciplinary workshop consisting of presentations and discussions among young scholars in Prague this November 2022. We will tackle the transmission of memories of war, inviting scholars to present their research on this topic in different media, such as oral/family history, museums, literature, film, the arts, news media, et cetera, with a focus on the kitschification of the past.
As war once again ravages a European country, it is hard not to persist with clichéd phrases to describe the horrors we are observing. Our collective struggle to understand is palpable in repeated phrases such as: How can this be happening – again? But inherent in language clichés is also the danger of inertia and falsehoods. As Czech writer Karel Čapek put it in a 1933 article: “The cliché blurs the difference between truth and untruth. If it were not for clichés, there wouldn’t be demagogues and public lies, and it wouldn’t be so easy to play politics, starting with rhetoric and ending with genocide.” The dangerous use of clichés, as well as kitsch and nostalgia in media representations of the past, lies at the core of this workshop. The aesthetic kitsch of Nazi propaganda or the aim to recover a lost Russian city in Kyiv constitute examples of this. To better understand what is transpiring in Ukraine, one is compelled to look to the past for answers. Continue reading CFP – Truth and Untruth. Transmission of Memories of War
