Po dvou letech příprav získal výzkumný tým „Tandem“ Platformy CEFRES pod vedením antropologů Luďka Brože a Virginie Vaté prestižní „Consolidator grant“ Evropské rady pro výzkum (ERC). Tento úspěch je důkazem vysoké kvality francouzsko-české spolupráce ve výzkumu v oblasti humanitních a společenských věd. Zdůrazňuje také klíčovou roli Francouzského ústavu pro výzkum ve společenských vědách (CEFRES) jakožto inkubátoru evropských projektů.
je výzkumným pracovníkem na Universitě v Barceloně (Department of Social Anthropology), na Vídeňské univerzitě (Department of Social and Cultural Anthropology, a přidruženým k CEFRESu v rámci programu TANDEM (projekt Zdivočelí divočáci). Jeho výzkum nazvaný Divoká prasata ožívají: Luky a šípy v evropské ekopolitice spadá podvýzkumnou osu 2.
Daniel Baric studied History and completed German, Slavic and Hungarian studies in Paris, Berlin and Budapest. A former associate professor at the Department of German studies of Tours University, he is currently working at the Department of Slavic studies of Sorbonne University and is since January 2019 associated to CEFRES. His researches focus on cultural transfers and interculturality in Central Europe, especially within the Habsburg Empire and contributes to research areas 1 and 3.
od února 2018 je výzkumným pracovníkem na poloviční úvazek v CEFRESu v rámci programu TANDEM (projekt Zdivočelí divočáci), jehož je zakladatelem. Jeho výzkum spadá pod výzkumou osu 2.
působí od 7. ledna 2019 do 31. prosince 2019 působí jako postdoktorandka v CEFRESu díky spolufinancování z fondu Univerzity Karlovy na podporu pobytů zahraničních výzkumníků. Její výzkum probíhá v rámci programu TANDEM (projekt Zdivočelí divočáci) a spadá pod výzkumnou osu II.
je od ledna 2019 postdoktorandem CEFRESu a člen výzkumného programu TANDEM Zdivočelí divočáci. Jeho výzkum se zaměřuje na vztahy lidí a divokých prasat v Austrálii.
je od 1. ledna 2018 výzkumnou pracovnicí přidruženou k CEFRESu. Její výzkum nazvaný Animal Matters: tázání se po antropologických rozdílech a literarních normách spadá pod výzkumnou osu 2.
od 1. ledna 2018 je postdoktorandem v CEFRESu díky spolufinancování z fondu Univerzity Karlovy na podporu zahraničních výzkumníků. Od března 2018 je členem Pracoviště oboru Německá a francouzská filosofie na FHS UK. Jeho výzkum nazvaný Derridovy Evropy: Dekonstrukce, marxismus, demokracie spadá pod výzkumnou osu 1.
od března 2018 je výzkumným pracovníkem přidruženým k CEFRESu v rámci programu s názvem “Archivy a Interkulturalita”. Je výzkumníkem ve Francouzském institutu v Pondicherry, Indie.
je od ledna 2019 postdoktorandkou Ústavu dějin umění AV ČR a přidruženou výzkumnicí CEFRESu. Její výzkumný projekt s názvem “A Transnational Perspective on Czech Social Photography. A Case Study of Czech International Exhibitions 1933-1934 between Germany, France and the USSR” spadá pod výzkumnou osu 1.
byla v roce 2018 je postdoktorandkou v Etnologickém ústavu AV ČR a dnes je přidružená k CEFRESu v rámci projektu TANDEM – Zdivočelí divočáci. Je postdoktorandkou v Max Planck Institute for the History of Science, Department III Artifacts, Knowledge, Action. Její výzkum nazvaný Divoká prasata a pyšní sloni: rozvoj přirozených prostředí zvířat ve střední Evropě spadá pod výzkumnou osu 2.
výzkumná pracovnice v CNRS přidružená k CEFRESu od února 2018 v rámci programu TANDEM (projekt Zdivočelí divočáci). Její výzkum spadá pod výzkumnou osu 2.
výzkumná pracovnice v CNRS přidružená k CEFRESu od 1. ledna 2017. Zabývá se tématem Hybridizace paradigmat a cirkulace tradic v rámci psaní současné filosofie, které studuje prostřednictvím archivního výzkumu manuskriptů filosofa Jana Patočky a Aurobinda Ghose. Její projekt spadá pod výzkumnou osu 1.
Datum a místo: 27. února 2020, Praha Deadline pro zasílání přihlášek: 15. listopadu 2019 Organizátoři: ÚDU AV ČR a CEFRES Ve spolupráci s: ÚSD AV ČR a Université Paris-Nanterre Jazyk: angličtina
Interwar East-Central Europe gave rise to an international movement of left-wing activist photographers, whose aim was to expose the workers’ living and working conditions through mass-produced documentary photographs. Despite growing research in the wake of the landmark exhibition “The Worker Photography Movement” in Madrid in 2011, we still have difficulties grasping this photographic production in its full scope because the conditions in which it was preserved and transmitted over generations have not been systematically explored.
Originally, social, proletarian, or worker photography, as named by its proponents, was presented by the Communist propaganda as a weapon in the class struggle. It was meant to supply left-wing printed media with images documenting the life of workers in order to counteract the influence of “bourgeois” illustrated magazines. Therefore, some of the photographs were kept in the picture archives of newspapers, while others remained in the hands of their authors. The Nazi occupation of Europe brought about a shift in the conservation of worker photography by leading the Communists to hide or to destroy archives that were deemed compromising. As a result, picture archives in journals such as Arbeiter Illustrierte Zeitung in Germany, Regards in France or Rudé Právo in Czechoslovakia, as well as other archives of press agencies and leftist organizations across Europe, disappeared.
After World War II, however, many of these photographs resurfaced and were granted a second life. Some were moved to documentary collections of the Communist historical museums which blossomed in countries of the Eastern Bloc in the 1950s, while others were included in the photographic collections founded in art museums from the 1970s. Such transfers brought about shifts in the status and uses of these images. Worker photographs turned into historical documents or works of art, despite having been originally conceived of as news or reportage photography and mass-reproductions. Having become cultural objects in their own right, they were used for political or historical purposes. Today, this visual material still raises issues of status and past political uses, which art and history museums in East-Central Europe have to address through new museum practices.
This international workshop examines the legacy of worker photography as
museum object, cultural heritage and history in East-Central Europe from 1945
until today. How was worker photography preserved, historized, and mediated in
East-Central European museums? The goal is to provide a multifaceted
perspective on worker photography by confronting its political and historical uses
and its musealization (van Mensch 1992) after 1945 on the one hand, and
the memory issues it raises today on the other.
The workshop is part of the interdisciplinary and international sessions organized by the Photography Research Centre at the Institute of Art History of the Czech Academy of Sciences (https://www.udu.cas.cz/en/photography-research-centre/). Established in 2018, the Centre ambitions to become a singular platform for interdisciplinary research in the Czech Republic, with the objective of overcoming national, branch-based and mono-institutional approaches of photography and photographic history in Central Europe.
Papers are sought on worker photography in museum collections in East-Central Europe, addressing the following questions :
Contextual and ethical reasons that led to conserving worker photography;
Actors and institutions involved in this process;
Conservation and cataloguing procedures (themes, metadata and documentation);
Exhibition, mediation and display practices;
The political, ideological and cultural uses of worker photography in museums;
Historiography: uses of worker photographs as illustrations of official narratives, or worker photography histories, be they local or transnational;
Worker photography as evidence, historical document, work of art;
Shifts observed: from the private to the public sphere, from one medium or format to another;
Material forms: analogue (prints, photomechanical reproductions) or digital;
International exchanges between institutions and circulation of photographs;
Comparative outlooks on worker photography collections in East-Central Europe and beyond.
This call for
papers welcomes presentations from scholars, curators, archivists and
collection managers who engage with the questions of the preservation,
collection, exhibition and historiography of worker photography in East-Central
European museums after 1945.
Deadline for submissions: 15 November 2019
Paper proposals: abstract of up to 300 words for 20 minute talks and a short biography (c. 150 words) can be sent to Fedora Parkmann (parkmann@udu.cas.cz).
Conferences costs: Help with travel and accommodation costs may be offered to participants who are not able to secure funding from their institutions.
The workshop will take place in Prague on 27 February 2020 at the CEFRES (French Research Center in Humanities and Social Sciences). The workshop language is English.
Organization:
Fedora Parkmann (Institute of Art History, Czech Academy of Sciences/CEFRES)
Christian Joschke (Université Paris-Nanterre, Paris) – scientific collaboration
Scientific committee:
Jérôme Heurtaux (CEFRES)
Petr Roubal (ÚSD AV ČR)
Petra Trnková (Photographic History Research Centre, ontfort University, Leicester/Vědecké centrum fotografie, ÚDU AV ČR)
Post-revolutionary hopes and disillusions. Interpreting, promoting and disqualifying revolutions.
Mezinárodní konference – Workshop určený doktorandům
Datum: 6. a 7. prosince 2019 Místo: Praha Deadline pro zasílání příspěvků: 30. října 2019 Organizátoři: CEFRES, FF UK, FSV UK, ÚSD AV ČR, ERC projekt „Tarica“ ve spolupráci s: IFP, Centrum francouzské civilizace a frankofonních studií (CCFEF) Varšavské Univerzity, Centrum polské civilizace Sorbonnské Univerzity, Vědecké centrum Polské akademie věd v Paříži, CNRS vědecká jednotka LADYSS (Univerzita Paříž 1 Panthéon-Sorbonne) a Polský institut v Praze Jazyk: angličtina
Under the frame of the international conference “Post-revolutionary hopes and disillusions. Interpreting, promoting and disqualifying revolutions” is organized a special workshop for PhD students and Master students to debate about issues and perceptions of post-revolutions’ situations in Central and Eastern Europe or elsewhere. This session will be held beside an academic debate, as well as a large public discussion about the topic.
2019 represents an important symbol and a major commemorative moment in Europe.
Marking thirty years since the collapse of the communist regimes of Central and
Eastern Europe, as well as fifteen years since their European integration, this anniversary gives rise to political, memorial and academic
initiatives throughout Europe. In a way, it does undoubtedly crystallize the
tensions and controversies surrounding the “1989 event” interpretation,
as it renews the assessment of countries transformations in the region since
the Velvet Revolution.
The political landscapes of post-communist countries provide contrasting
situations. Democracies and the rule of law have emerged everywhere in a
context of universalization of political and economic liberalism in Europe.
Nevertheless, several societies are experiencing current upheavals, which are
often described as illiberal, authoritarian or populist, or even as
„conservative revolutions“.
Hence, the scientific production on the concerned societies, based on
tried methods of investigation and analysis, invite us to think and rethink the
“1989 event”, which remains a major moment in our contemporary
history, and the transformations that Central and Eastern Europe, as well as the
other European countries and the European Union, have undergone since the
collapse of communism.
This thirtieth anniversary is a unique opportunity to think about
revolutionary experiences and regime change in various historical contexts. Thereby, this conference aims at offering wider and new academic
perspectives on regime transformations and democratic transitions, through a
comparative approach. Post-Communist Europe will undoubtedly be one of our
focus, as well as the Arab world following the 2011 uprisings or the political
transitions in Sub-Saharan Africa. Thus, this unprecedented proposition is to offer
an equal value of those revolutions in our comparative analysis, without any
ranking based on success of failure.
The chosen perspective is to question
the object “revolution” in terms of contradictory investments that it
is the object of a variety of actors. To analyze the multiple interpretations
that the revolution raises: promotion, even sublimation; but also
disqualification, even outright rejection.
In fact, the expressions of
disillusionment that accompany a revolutionary episode is far from rare. If
there is a law of revolutions, it may be this one. The narrative of
disappointment occurs almost constantly, despite the great diversity of regime
change trajectories. It emerges from democratic regressions led by new
political actors, from the recycling of the old regime, a counter-revolutionary
process, the lack of any major social changes, or merely because the hopes
carried by the revolution were not translated into political acts. Yet common
in the public space, expressions of disappointment have barely been the object
of academic research.
Thus, here are some exciting questions that fully justify a comparative examination:
I-Describing and representing hopes and disappointments
Expressions of hopes, expectations, disappointment, disenchantment, disillusion, are multiple: discursive and political, as well as artistic, literary and cinematographic. What forms do they take in the Eastern European, Arab of African context? What are their lexical and moral registers?
How is shape disillusion following the so-called “Old regime return”? Are these objective or ideal facts?
What is the impact of social inequalities persistence, economic reform lack, fading of sovereignty?
Which individuals, professional and social groups are more like to express hopes and disappointment? Are hopes and disappointment expressed individually or collectively?
What are the post-revolutionary disappointment temporalities: immediate or differed?
Are all kind of disappointments expressed?
II-Understanding and explaining hopes and disappointment
It goes without saying that the expression of hope or disappointment is not only a matter of individual and collective psychological mechanisms.
What are the mechanisms by which hope and disappointment is built? What are the specific actors, strategies, circumstances into play? What are the particularities of the moral, ethical and political framework from which disenchantment is deployed?
As Bronislaw Baczko mentioned, recalling the “emotional climate created by the revolutionary fact, the upsurges of fears and hopes (which) necessarily drive the production of social imaginaries”, to what extent is emotional over-investment part of political effervescence?
Is disillusionment only the natural product of prior illusion? Disappointment would then impose itself as a mirror of revolutionary hope, but it is not reduced to it as long as one is not the natural consequence of the other: it is the moment where some create and exploit the disappointment that must be the object of the investigation.
What is the materiality of disappointment? How do political, emotional, psychological, social vectors articulate themselves?
III- Uses and Effects of Disappointment
What are the social and practical practices of disappointment? Does all or part of society share it? How do some political entrepreneurs exploit it as a strategy?
What are the disappointment consequences on scholars and experts’ perception of the post-revolutionary process?
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Thanks to the richness and diversity of these
questions, this conference will gather specialists from several disciplines of
social sciences and humanities without borders, neither temporal nor spatial. We
will still be dedicated to contemporary Central Europe, the Arab world and sub-Saharan
Africa. The papers will have to mobilize original sources and be based on a
clearly exposed method (literary analysis, oral history, political sociology,
social psychology, etc.). PhD students and young researchers are particularly
encouraged to propose a paper.
Schedule
Deadline for paper proposals (max 500 words) : 30 October 2019
Selection of contributions and feedback from the conference organizers: 10 November 2019
Paper proposals (max 500 words) must be sent to jerome.heurtaux@cefres.cz, by 30 October 2019 at the latest.
This
international conference is organized by CEFRES, the Faculty of Arts of Charles
University, the Faculty of Social Sciences of Charles University, the Institute
of Contemporary History of the Czech Academy of Sciences and the ERC
Project„Tarica“.
In collaboration with the French
Institute in Prague, the Centre of French civilization and francophone studies
(CCFEF) of the University of Warsaw, the Centre of Polish Civilization of
Sorbonne University, the Scientific Centre of the Polish Academy of Sciences in
Paris, the CNRS research unit LADYSS (University Paris 1 Panthéon-Sorbonne) and
the Polish Institute in Prague.
This conference is the third in the framework of a cycle of three
conferences, entitled “1989-2019: Beyond the Anniversary, Questioning 1989”,
held consecutively in Paris, Warsaw and Prague, coordinated by Maciej Forycki
(Scientific Centre in Paris of the Polish Academy of Science), Jérôme
Heurtaux (CEFRES–French Research Centre in Humanities and Social Sciences),
Nicolas Maslowski (Centre for French Studies (CCFEF), University of Warsaw) and
Paweł Rodak (Centre of Polish civilization, Sorbonne University).
Conferences costs
Due to limited funding, the organizers will be able to support some
prospective or underfunded participants. Hence, conference attendees are
advised to start exploring financial support from their home institutions or
outside sponsors.
Scientific Committee
Jérôme Heurtaux, Cefres
Michal Pullmann, Charles University
Miroslav Vaněk, Czech Academy of Sciences
Pavel Mucke, Czech Academy of Sciences
Eliška Tomalová , Charles University
Alia Gana, ERC « Tarica »
Francouzský ústav pro výzkum ve společenských vědách