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CFP: The Wording of Thoughts: Philosophy From the Standpoint of Its Manuscripts and Archives

The Wording of Thoughts: Philosophy From the Standpoint of Its Manuscripts and Archives—Methodologies, Histories and Horizons

Organizer : Benedetta Zaccarello, CEFRES
When & Where : 7-9 June 2018, Prague
Deadline for applications : 21 January 2018
Language: English
Partners: ITEM, IMEC, Patočka Archives (Czech Academy of Sciences), FHS UK

Please send your proposal (title and 300 word-long abstract) and bio-bibliographical short notice to the following address: benedetta.zaccarello@cefres.cz

Philosophy is written, practiced, lived through: it is the translation of the experience of a thinking subjectivity in a conceptual alphabet and a verbal fabric. The I of philosophy is a chimera whose head tickles the heights of abstract concepts and universal discourses, while its body is grounded in the lived experience. At the hinge between these two realms called for by the speculative effort, stands the verbal material. Its meaning can only be determined taking into account its relationship to its contexts, the writing and reading practices surrounding it, the horizons of significations and even the implicit polemical charge which characterizes every philosophical contention. Likewise, the specificity of each theoretical expression is both the sine qua non condition for the perpetuation of a discipline looking to evolve and transcend its own categories, and the most subjective and personal aspect of a work that traditionally aims at the “neutrality” of abstraction.

The “making of a philosophical text”, including its cultural features and societal contingencies, challenges the representation of the discipline’s history as a series of abstract findings and innovative intuitions that constitute the landmarks of our paradigms. The philosopher who writes is the first inclined to erase the complex intricacies of the negotiations between existence and theory, between conceptual inventiveness and shared vocabulary inherited from a centuries-old tradition. Yet it is obvious that the dynamics of philosophy production and reception are a complex phenomenon whose writing nature is a crucial stake.

As reminded by Derrida reading Paul Valéry, such dimension of the philosopher’s work is constantly and almost physiologically overlooked in the representations of the discipline’s aims. Strong borders seem to delimitate fields renowned to be dissimilar, if not incompatible: philosophy and literature are therefore often seen as rival siblings, and their respective horizons do not take easily into account some elements that turn out to be indispensable to understand—from a dynamic, historical-cultural point of view—the production of theoretical prose. Likewise, and opposite to the tradition of the Romantic period for instance, intellectual work rarely binds philology and philosophy.

For all these reasons, the philosophical manuscript is an odd object that has only recently started to receive proper appraisal. In Europe nevertheless, the creation of archive centers gathering major philosophical data—such as Nietzsche, W. Benjamin or Kierkegaard—has sustained the memory of philosophical writing and enabled such “arches” to cross time waiting for the moment when, partly thanks to the development of digital humanities, these materials could get a much deserved attention. Thanks to the editing of philosophical manuscripts, the information contained by such media beyond the text itself turns out to be manyfold. The ontology that vitalizes and structures the hermeneutical gesture behind the work on manuscripts is indeed different. Such perspective enables to look at the evolution of a theoretical thought as a living and specific adventure, and the history of the discipline a dynamic, manifold and choral process. Still, not all the documents, as dispersed and little known traces of the philosophical practices, can be turned into books and remain hidden to the public eye. But it is beyond doubt that accessing these archives often enables to better understand the appearance, the method, the approach and even the sources, along with the polemical targets and the hints that published books tend to excise or dim.

Often only the specialists working on the critical edition of the works of a thinker-writer, or the archivists in charge of a fund are able to develop knowledge from such materials: working on archives demands time, and it does not match the rhythms imposed today to research and intellectual production. Therefore creativity expressed by researchers as they come up with ad hoc tools to publish or interpret a set of manuscripts has not yet been subjected to a comparative approach aiming at setting common methodological principles. If genetic criticism has developed since the 1970s an important set of tools and philological methodology specific to the study of writers’ manuscripts, little has been done to elaborate guidelines when dealing with philosophical archives.

This conference aims at establishing a dialogue between specialists from various countries and continents who have worked on different corpus so to sketch a few first methodological lines and establish a collaborative pioneer network. The publication of the conference proceedings should be a first cornerstone of this new consortium.
As the history of several philosophical archives and their anchoring in history as such, we hope to shed some light on these places as knowledge sources and field training and to advocate for the inclusion of such materials for a new approach to the history and the exegesis of theory. 

Four panels will be organized:

1 – Archives’ History/Histories. We welcome contributions dealing with the history of philosophical archives as institutions and how they became embedded in the cultural and social landscape of their time. On the other hand, the history of philosophy that can be reached through working on manuscripts shall be tackled.

2Conservation & Edition. The aim is to collect the testimonies of various specialists who have worked as curators and/or editors of philosophical manuscripts to better understand the specific challenges they may have met with each specific theoretical writing.  Issues pertaining to the digitalization of theoretical funds and to the intelligibility of its objects will also be addressed. We welcome papers on paradigmatic cases that can also fit within the 3rd type of propositions below.

3 – Editions & Exegesis: approaches and methodologies. Several contributions and a round table should open common methodological perspectives from the observation of several philosophical corpus. We aim at sketching a guideline applied to philosophical manuscripts, whether from the point of view of interpretation or of publishing.

4 – The Archives of Theory. This last panel aims at collecting propositions dealing with theoretical corpus outside philosophy, sic as literary theory, art history, science history, semiotics… This comparative perspective should bring up the specificities of this type of documents in their relation to the philosophical materials.

Julien Wacquez: Research & CV

The Horizon of Planetary Possibilities. Dynamics and Shifting Boundaries between Science and Science Fiction.

Research Area 1 – Displacements, “Dépaysements” and Discrepancies: People, Knowledge and Practices

Contact: julien.wacquez@cefres.cz

Julien Wacquez is a sociologist currently affiliated with the Labex les passés dans le présent at Paris Nanterre University in France, as a postdoctoral researcher. His work focuses on the epistemic values of science fiction literature, speculative writing, futurology, and the scientific uses of science fiction through history. He defended his PhD dissertation, entitled The Horizon of Planetary Possibilities: Dynamic and Shifting Boundaries between Science and Science Fiction at the EHESS in 2020. He published several articles which appeared in journals of sociology (Socio), anthropology of arts (Gradhiva), and comparative literature (Modern Language Notes). Since 2014, he is the editor-in-chief of the online magazine Angle Mort, which has been honoured as the ‘Best European Science Fiction Magazine’ by the Eurocon Award 2018.

CV

Education

2012-19: PhD studies in Sociology at École des Hautes Études en Sciences Sociales (EHESS, Paris) under the supervision of Jean-Louis Fabiani. Thesis title: La Grammaire de la Vraisemblance : l’attachement à la réalité des praticiens de la science-fiction. Disciplines: Sociology of knowledge, sociology of sciences, sociology of writing, sociology of literature, ethnomethodology

2011: Master Research in Sociology at EHESS under the supervision of Sylvie Tissot. Thesis title: Faire la mixité sociale dans le grand ensemble de Meaux : la constitution d’un problème public

Research

2020-21: Post-graduate researcher, Labex les passés dans le présent, Université Paris Nanterre. Under the direction of professor Emmanuel Grimaud.

2018-19: Phd fellow, CEFRES, French Research Center in Humanities and Social Sciences, Prague, Czech Republic

2017-18: Phd fellow, CEFRES, French Research Center in Humanities and Social Sciences, Prague, Czech Republic

2015-16: Visiting Scholar, Harvard University, Department of Sociology, Massachusetts, United States

2014-15: Bourse d’Immersion, Musée du quai Branly, Département de Recherche et d’Enseignement & Labex Créations, Arts et Patrimoine, Paris, France. Intitulé du rapport : Faire dire aux objets. Images de l’activité connaissante et mise en scène dialogique du savoir par le service de médiation du musée du quai Branly.

Conference Seminars

  • 2019 (June): “The Scientific Existence of the Dyson Sphere,” International Conference Paradise on Fire, organized by the Association for the Study of Literature and Environment (ASLE), University of California, Davis.
  • 2019 (June): “How Does Science Fiction Literature Shape Scientific Imagination?” International Conference Anthropology Off Earth, organized by Périg Pitrou (CNRS – LAS), Régis Ferrière (ENS – University of Arizona), Istvan Praet (University of Roehampton, London), Joffrey Becker (PSL) & Elsa De Smet (PSL), Collège de France & Observatoire de Paris, Paris, France.
  • 2019 (April): “Is ‘Hard Science Fiction’ a Limit to the Concept of Literary Field?” Epistemological Seminar, CEFRES, Prague, Czech Republic.
  • 2018 (May): “The Ways of Science Fiction in the Study of the Anthropocene,” Workshop Debating the Norms of Scientific Writing, FLU, Czech Academy of Sciences, Prague, Czech Republic.
  • 2016: “Elements for a Sociology of Credibility: How to Use Knowledge in Science Fiction Stories?” – Culture and Social Analysis Workshop, Department of Sociology, Harvard University
  • 2015: “Faire dire aux objets. Images de l’activité connaissante et mise en scène dialogique du savoir par le service de la médiation culturelle du musée du quai Branly” – Workshop Art et performance – Musée du quai Branly (Paris, France)

Organisation of Scientific Events

  • 2020-21         Co-organisation and co-animation of the Labex Les passés dans le présent entitled « Futurologie : atelier de narration spéculative » avec le professeur Emmanuel Grimaud. Description : http://passes-present.eu/fr/futurologies-latelier-de-narration-speculative-1ere-seance-44401
  • 2018 (mai)     “Debating the Norms of Scientific WritingPartenaires : CEFRES (Prague, République Tchèque), EHESS (Paris, France) et la Faculté de Philosophie de l’Académie des Sciences Tchèque. Keynotes speakers: Jan Balon (FLU, Czech Academy of Sciences); Jean-Louis Fabiani (EHESS, CEU); John Holmwood (University of Nottingham).

Teaching Experience

In English (252 hours)
  • 2017-2020: The Fiction is already there. The writer’s task is to invent the reality, Interdisciplinary Perspectives on Science Fiction Literature, Charles University, Faculty of Arts, Department of Sociology, Prague, Czech Republic.
  • Digital Sociology. In collaboration with Dino Numerato. Charles University, Faculty of Social Sciences, Department of Sociology, Prague, Czech Republic.
  • 2017-2018: Charles University, Prague, Czech Republic, course: Knowledge Trouble. Introduction to the sociology of science and the sociology of intellectuals, in cooperation with  Dan Cirjan (PhD at CEU)
In French (108 hours)
  • 2019-2020: Lycée Français de Prague, course:  Sciences Économiques et Sociales:
  • 2014-2017: Paris 3 Sorbonne Nouvelle University, course:  The Sociology of Writing.
  • 2013-2014: Paris 12 University, course: Introduction to Sociology.
  • 2012-2013: Paris 13 University & Institut Régional du Travail Social, course: Introduction to Sociology.

Prizes & Awards

  • 2018: Recipient of the Fellowship of 8/9 of the EHESS Endowment Fund (topic: writing).
  • 2018: Recipient of the best science-fiction of European Science Fiction Convention for review Angle mort.
  • 2014: Recipient of the PhD Fellowship (Région Île-de-France Mobi’Doc).

Publications

Edition
  • 2019: Review Socio, number 13, topic: “Science et Science-Fiction”, in cooperation with Stéphane Dufoix (SciencePo, Paris)
Scientific Articles
  • 2021: « Re-searching Fiction: Interspecies Assemblages between Science and Fiction in the Anthropocene », submitted to Configurations (05/02/2021), Johns Hopkins University Press.
  • 2020, « Le Dire des choses : de l’entaille à la surface. Parcours de lecture à propos du livre de Romain Bertrand ‘Le Détail du monde’ », Carnet de Recherches du CEFRES, available online: https://cefres.hypotheses.org/1766
  • 2020: « La Défamiliarisation du monde : trois exemples de ‘fiction climatique’ française », Modern Language Notes, Johns Hopkins University Press (with Chiara Mengozzi, Charles University).2019 (November), « ‘Welcome to the real world:’ Champ libre à la science-fiction », Socio, issue 13.
  • 2020, « Le Dire des choses : de l’entaille à la surface. Parcours de lecture à propos du livre de Romain Bertrand ‘Le Détail du monde’ », Carnet de Recherches du CEFRES, available online: https://cefres.hypotheses.org/1766
  • 2019 (November): « Les Réalismes de L’Anneau-Monde », Socio, issue 13.
  • 2019 (May): « La ‘Faillite de l’imagination’. De l’existence scientifique de la sphère de Dyson », Gradhiva, issue 29.
  • 2019 (March): « La Sphère de Dyson : objet de fiction et de science », Revue de la BNF, issue 58.
Other Activities
  • 2016: Founder and editor-in-chief of the bilingual magazine Blind SpotAngle Mort. 

Adéla Bricínová (born Klinerová) : Research & CV

“Modern French Architecture in the Context of Czech and East-Central European Nineteenth-Century Architecture”

Research Area 1 – Displacements, “Dépaysements” and Discrepancies: People, Knowledge and Practices

Contact: ad.bricinova@gmail.com

My PhD deals with the appropriation of French architectural language in modern times in the Czech lands and more largely, in East-Central Europe. It focuses on a singular trend of 19th century historicism pertaining to Neo-Renaissance and eclecticism.

Though not as spread as the dominant inspirations drawn from Italian Renaissance architecture, French style—or mode—can nevertheless be found in every European country, and thus deserves better interest than it has so far. The aim of my PhD is to establish a sensible catalogue of the representations of the studied phenomenon and to unfold studies on the signification of French-style architecture.

Continue reading Adéla Bricínová (born Klinerová) : Research & CV

Mihai-Dan Cîrjan: Research & CV

Indebtedness and Credit Relations in Times of Crisis: Reinventing the State by Governing Economic Life in Post-Liberal Romania (1929-1944)

Research Area 1 – Displacements, “Dépaysements” and Discrepancies: People, Knowledge and Practices

Contact: mihai-dan.cirjan@cefres.cz

As a comparative social historian, most of my work focuses on the history of interwar capitalism in Eastern Europe and Latin America. My current research looks at the contentious debates regarding the restructuring of Romanian credit relations after the Great Depression, with a special emphasis on the private debt of rural communities and the state’s sovereign debt. It shows how, following one of the most dramatic debt crises of the 20th century, the social conflicts surrounding debt and credit became one of main arenas for articulating contending views of market relations and the capitalist economy.
Continue reading Mihai-Dan Cîrjan: Research & CV

Mathieu Lericq: Research & CV

Troubling Intimacies in Communist Poland Films (1968-1989): the Birth of a Bio-Cinema?

Research Area 2: Norms & Transgressions

Contact: mathieu.lericq@cefres.cz

My research project deals with the presence and values granted to bodies in East-Central European cinema during the Communist era (1968-1989). At the crossroad between aesthetics and anthropology, it aims at showing how the images related to affective, family and sexual relationships became a space where modalities of “resistance” pertaining to civil society could develop. Continue reading Mathieu Lericq: Research & CV