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Central-European Masculinities

Central-European Masculinities in a Comparative Perspective: International Symposium

International symposium organized by CEFRES in the frame of the Central European Masculinities research project, with the support of the French Ministry of Higher Education and Research (MESR, PARCECO Program), in collaboration with the University of Silesia in Katowice, the Institute of Czech Literature, Czech Academy of Sciences (ÚČL AVČR) & the Department of Czech and Comparative Literature, Charles University (ÚČLK FF UK).

Location: CEFRES, Na Florenci 3, Prague 1
Date: June 19 – 20th, 2024
Languages: English, French
Organizers: Wojciech Śmieja (IL WNH UŚ), Mateusz Chmurski (CEFRES/Sorbonne), Iwona Kurz (IKP WP UW), Richard Müller (ÚČL AV ČR), Josef Šebek (ÚČLK FF UK), Ivana Taranenková (ÚSL SAV).

Zoom link: https://us02web.zoom.us/j/87287534658?pwd=76IKqZc2qhThHlfLedvvxFbpNbe1iM.1 

Meeting ID: 872 8753 4658
Passcode: 451680

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Civil Union, Equal Marriage

Civil union, equal marriage: what prospects for Europe?

On the occasion of the International Pride Month and as part of the Queer 24 cycle, the French Institute in Prague, the Goethe-Institut and CEFRES invite you to the roundtable “Civil union, equal marriage: what prospects for Europe?”

Date: Monday June 17, 2024 at 5 p.m
Location: Institut Français de Prague, Štěpánská 35,
Languages: In English, translated in Czech

Abstract

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Cartography and art history in dialogue

Cartography and art history in dialogue. Reflections on the functions of maps in Warburgian iconology

Seventh session of the 2023-2024 CEFRES Francophone Interdisciplinary Seminar The map and the border
In 2023, we would like to start by beginning by questionning the very act of bordering and representing (a territory, a period, a trajectory), in short, thanks to the interdisciplinarity of our respective disciplines, to question the map and the border.

Location: CEFRES Library, Na Florenci 3, Prague 1
Dates: Friday, June 14th, 10 – 11.30 am
Language: French

Speaker : Lara BONNEAU, Institute of Philosophy of Czech Academy of Sciences (FLÚ – AV ČR), associate researcher at CEFRES
Discussant : Danièle COHN, Université Paris 1

Has the tendency towards ornamentation in the graphic gesture been an obstacle to the scientific development of cartography? In other words, has cartography had to liberate itself from the artistic dimension, which is too imbued with a sensitive end emotional life, to become a planimetric abstraction? These were central questions for the German art historian Aby Warburg, who saw the cartographic gesture as one of the ways of distancing oneself psychologically from the senses. By giving contours to what is presented as moving, changing, even chaotic in perceptual experience, by assigning it a place within an order (kosmos), and by presenting it in space rather than in time, mapping has a psychological function: it gives the subject points which help him to anchor himself and distance himself from reality. Nevertheless, as the demon-populated astrological natal charts demonstrate, cartography cannot totally abolish the dimensions of fear and desire of our relationship with the world and the universe. Maps have a sensitive “cosmetic” dimension, which is perhaps not directly opposed to the ambition to bring cosmic order. In order to study how these demons moved historically, providing lasting fertile ground for the iconographic tradition as much as for scientific attempts to conquer the space of thought, Aby Warburg was led to draw… maps. Maps of the migratory routes of motifs and styles, of the “formules of pathos” from Athens to Babylon, from Babylon to Southern and the Northern Europe. Drawing in particular on the recent work od Phillipe Despoix (2023), we shall try to present the function of cartography in Warburgian iconology.

“Grand Entretien” with Boris Cyrulnik

“Grand entretien” with Boris Cyrulnik

This “grand entretien” is organized in partnership with the French Institute in Prague and the Institute of Philosophy of the Czech Academy of Sciences.

Date: Wednesday, June 12, 2024, at 6:00 PM
Location: French Institute in Prague, Štěpánská 35, Prague 1
Langue: French with simultaneous translation into Czech
Moderator: Alice KOUBOVÁ (Institute of Philosophy of the Czech Academy of Sciences)

Abstract

Since the advent of neuroimaging, it has become evident that environmental deficiencies lead to brain dysfunction. When the environment is impoverished, the corresponding brain areas atrophy, causing individuals to perceive the world differently, often as hostile. All mammals can suffer from such disrupted development.

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Renaissance Principles and Their Early Modern Receptions

Renaissance Principles and Their Early Modern Receptions:
European Currents and Local Appropriations

A Workshop organized by the Institute of Art History of the Czech Academy of Sciences (IAH CAS, Prague), within the program Strategie AV 21 of the Czech Academy of Sciences, and CEFRES (Prague) with the support of the École pratique des hautes études  (EPHE – PSL, Paris), Julius-Maximilians-Universität (Würzburg), Bayrisch-Tschechische Hochschulagentur (Regensburg), Politecnico di Torino, Universidad de Jaén, Charles University (Prague), National Gallery Prague.

Date: June 11-12, 2024
Locations: CEFRES, Na Florenci 3, June 11, 2024, Institute of Art History, Husova 4, June 12, 2024, National Gallery, Prague, Waldstein Riding School; Prague Castle
Language: English

 

Tuesday, June 11 (at CEFRES)

9.30 – 9.45 – Introduction

  • Claire Madl (CEFRES Prague)
  • Sabine Frommel (EPHE – PSL, Paris)
  • Eckhard Leuschner (Julius-Maximilians-Universität Würzburg)
  • Taťána Petrasová (IAH CAS, Prague)

9.45 – 11.45 – 1st panel

  • Chair: Sabine Frommel (EPHE – PSL, Paris)
  • Miguel Ángel Carrasco Sánchez (University of Jaén), The Benavides Family as Promoters of Renaissance Architectural Language in the Old Kingdom of Jaén
  • Gabriel Pereira (University of Coimbra), The Different Stages of Renaissance Architecture: João de Castilho’s Work in Tomar
  • Jakub Kříž (Masaryk University, Brno), The Renaissance Portal of the Olomouc Town Hall and the Problem of the Antique Mode in Moravia in the 1530s
  • Pablo Ferri (EPHE – PSL, Paris), Medicean Villas in the Annunciation During the Italian Renaissance

11.45 – 12.00 – Coffee break

12.00 – 13.30 – 2rd panel

  • Chair: Valentina Burgassi
  • Felix Schmieder (PALAMUSTO, University of Warsaw), Living Between Cultures: Renaissance Residences of Catherine Jagiellon in Poland and Sweden
  • Lucía Pérez (EPHE – PSL, Paris), Diego Siloé and His Contemporaries: Some Thoughts on Funeral Chapels
  • Mariia Ovsianikova (EPHE – PSL, Paris), The Imaginary Temple: Constructing the Identity of the Christian Temple in Italian Painting of the 15th–16th centuries

13.30 – 14.30 – Lunch break

14.30 – 16.00 – 3nd panel

  • Chair: Eckhard Leuschner (Julius-Maximilians-Universität, Würzburg)
  • Clara Léoni (EPHE – PSL, Paris), The Hanged Man: A Visual and Discourse Exploration of Capital Punishment
  • Christina Hablik (Julius-Maximilians-Universität, Würzburg), Transfer and Transformation of Pictorial Ideas: the Likeness of Julius II as a Means of Propaganda in the Conflict Between the Papacy and France (1510–1513)
  • Annemarie Graf (Julius-Maxmilians-Universität, Würzburg), The Prints of Previous Centuries: Collecting Renaissance Prints in the Second Half of the 17th Century

16.00 – 16.15 – Coffee break

16:15 – 18.15 – 4th panel

  • Chair: Taťána Petrasová (IAH CAS, Prague)
  • Corinna Gannon (Städel Museum, Frankfurt am Main), Material Hybridity of Rudolfine Kunstkammer Objects and the Notion of Universality
  • Tadeáš Kadlec (Charles University – IAH CAS, Prague), Count Michna’s Palace in Prague: Its Origins and Meanings
  • Robert Seegert (Julius-Maxmilians-Universität, Würzburg), Renaissance Paintings Collected by High-Ranking Clerics in Southern Germany during the 18th Century: The Example of the Würzburg Prince-Bishops
  • Adéla Bricínová (Charles University, Prague and EPHE – PSL, Paris). Projects for the Reconstruction of the Castle Bečov nad Teplou: Castles in the sky of Duke Alfred Beaufort-Spontin

18.15 – 18.30 – Closing remarks

 

Wednesday, June 12

9.30 – 10.15 – Institute of Art History, Czech Academy of Sciences, collection of historical photography of Renaissance architecture, with its curator Petra Trnková, IAH CAS

10.30 – 12:00 – At CEFRES, 5th panel

  • Chair: Pedro Antonio Galera Andreu
  • Tomáš Murár (IAH CAS, Prague), Weltgeist or Weltanschauung? Search for the Meaning of Italian Renaissance in the Late 19th Century Art History
  • Lorenzo Fecchio (Politecnico di Torino), The Anglo-American Rediscovery of Italian Renaissance Gardens
  • Valeria Sedlerjonok (The Giorgio Cini Foundation, Venice), The Art of Reception: Venetian Renaissance Painting as Seen in Early 19th Century Venice

12:00 – 13:30 – Lunch break

13:45 – 15:00 – Exhibition From Michelangelo to Callot. The Art of Mannerist Printmaking, Waldstein Riding School, Malá Strana, metro Malostranská stop; guided tour with the main curator Alena Volrábová, National Gallery Prague and co-author Sylva Dobalová (IAH CAS).

15:30 – 18:00 – Prague Castle, Summer House Belvedere, Ballroom and the context of Emperor’s gardens, with Richard Biegel (Charles University, Prague), Sylva Dobalová (IAH CAS).

18:00 – 18:15 – Closing remarks

 

You can download the program here.

The normalized, the normalizers and their cinemas

The normalized, the normalizers and their cinemas: Czechoslovak and Soviet Films of the 1970s

Created and moderated by Anastasia Mamaeva, PhD student at UMR Eur’ORBEM (Sorbonne University/CNRS, Paris), this webinar is organized with the support of Eur’ORBEM, CEFRES (Prague) and Charles University (Prague).
Location: CEFRES, Na Florenci 3, Prague 1 and online (to get the link, please register at cefres@cefres.cz)
Date: May 13, May 27, June 4, 2024 at 4:30 pm (CET)
Language: English

Program

Every session will take place from 4.30 to 6 PM Prague/Paris time and will include a presentation and a discussion.

Monday, May 13

The Squalid Charms of the Stagnation Cinematic Aesthetics
Igor GULIN (independent cultural historian, critic, poet)

Monday, May 27

Visitors and Insiders: The Normalisation-Era Career of Jindřich Polák
Jonathan OWEN (independent scholar of Eastern and Central European cinema, avant-gardes, and cult film; author, Avant-Garde to New Wave: Czechoslovak Cinema, Surrealism and the Sixties, 2011)

Tuesday, June 4

Czechoslovak public relations films for export
Lucie ČESÁLKOVÁ (editor-in-chief, Iluminace magazine; Charles University, Prague)

Abstract

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